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The urban centers of Morocco, Algeria, and Tunisia are home to performance traditions whose practitioners trace them to al-Andalus, or medieval Muslim Spain. According to its devotees, the repertoire was passed down over the centuries from master to disciple. Today it is ubiquitous in the Maghreb and its diaspora, and is held up as a quasi-official classical music that expresses an abiding link to a prestigious precolonial past.? Despite its deep roots, Andalusi music has also profoundly changed in the past one hundred years, and it is now considered a threatened art. In The Lost Paradise, Jonathan Glasser accounts for the longevity of Andalusi music?s revivalist project through ethnographic and archi
