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A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue from one of the leading writers of the twentieth century, the acclaimed author of Lolita.

"Half-poem, half-prose...a creation of perfect beauty, symmetry, strangeness, originality and moral truth. One of the great works of art of this century." —Mary McCarthy, New York Times bestselling author of The Group

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Book ID Asin: 0679723420
Book Title: Pale Fire
Book Author: Vladimir Nabokov
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $11.99
Book Format Name: Audiobook
Book Format Price: $0.00
Book Format Name: Hardcover
Book Format Price: $25.99
Book Format Name: Paperback
Book Format Price: $10.69
Book Format Name: MassMarket Paperback
Book Format Price: $10.00
Book Format Name: AudioCD
Book Format Price: $18.72
Book Price: $10.69
Book Category: Books, Literature & Fiction, Genre Fiction and unknown
Book Rating: 1,441 ratings

Pale Fire by Vladimir Nabokov Book Review

Name: Dave Cullen
Rating: 4.0 out of 5 stars
Title: Brilliant writing, but heavily a lit-world in-joke
Date: Reviewed in the United States on July 31, 2020
Review: Hmmmmm. I've rarely been so conflicted in a response. And my 4 stars should be 3.5. And I totally think I need to revisit this in 6 months, where my start could change anywhere from 3 to 5.

The definitely won't drop below 3, because the writing was brilliant, which is barely the word--it's Nabokov, the master, so I guess I'll use the rare word genius.

It's the whole setup of it that's in question. It was incredibly fun for awhile, and wildly inventive (Hmmmmm--I think it just went back up to at least 4 stars. I sometimes forget that Reading it NOW, 60 years later, I'm immersed in a lit world made possible by this book. "Wildly inventive" also means incredibly influential, creating other things that now make it more of a shrug.) But...

But...

The joke grew a bit tiresome for me. Also, it was such an inside joke--so much of the cleverness directed at lit criticism, lit departments (a bit), and just the lit world. Ho hum. Definitely feels like it was written by a lit prof, doing an deliciously savage satire of his rarified lit world. I just really don't care that much.

And finally, this last "issue" is specific to me, but a lot of you, so if you're a poetry aficionado, please ignore. The poem at the center of it wasn't really the point, at least for me, but was a huge part of it, including the (I think) intentionally bad parts--though a quick check online demonstrated a completely divide world on that: Many contend the whole poem is a prank, intentionally awful, while others praise its beauty, even its greatness as a work unto itself. It seems like a truly wondrous and fascinating game, but available only to deep readers and true aficionados of poetry, and I don't qualify.

(If that seems like a silly argument, try it with jazz, or much better for the poetry crowd, country music. Imagine a book built around a famous country music artist, with his/her entire lyric catalog at the core--or complete lyrics to perhaps 50 songs--and much of the joy of the experience came in appreciating the beauty of some lines/songs, and laughing at the idiocy of others. For all of you who shrug or roll your eyes at country music, and have no way in, or ability to discern--and where just wading through them is a painful chore . . . That book would be doomed in some sense -- you're not going to get the full promise of it.

Which perhaps makes me unqualified to review it, but I think that's nonsense: it was published for a general audience, widely read, and recommended for non poets... I think it would be fair, perhaps to segregate reviews between for poetry-lovers and non, and feel free to put me in the latter camp.

I long ago decided that I would not attempt to review how good I thought books/films/music/art are for OTHER PEOPLE--what an absurd pursuit--or objectively "best," for something so subjective, but merely what worked for me. (And when relevant, disclose my subjectivity.) This worked for about 4 stars.

Name: William Adams
Rating: 5.0 out of 5 stars
Title: Kindle format has been fixed--if it was ever bad.
Date: Reviewed in the United States on May 31, 2015
Review: This review is for the reader who shares my high opinion of the novel and wants to know if it is safe to buy the Kindle edition. There are several reviews, all a few years old, saying that the Kindle formatting is unacceptable. I can only say that as of May 2015, the formatting is fine. Of course, as you would expect, the poem wants to be read in landscape mode and not too large a font to preserve the integrity of the lines. And you should realize, as perhaps some of those early readers did not, that not all note references or line numbers are supposed to be hypertexted. In fact, none of the numbers in the text of the poem are footnotes, only line numbers, and you aren't supposed to be able to click on them. Then, when you get to the commentary, and see something like "Lines 1-4: I was the shadow of a waxwing slain, etc." on a separate line by itself, you aren't supposed to be able to click on that either. Basically, you're meant to review a big chunk of the poem at one go, lay down a bookmark, and then go back to your Commentary bookmark and read the notes for that chunk before going back to your last poem bookmark, pretty much the way you would read it as a paper book.
[If you've read the book on paper, you know this is true: The poem is no more as accessible with the footnotes as without, and much easier and more pleasurable to follow with no wildly irrelevant interruptions for them. And strangely enough, the commentary is no different -- once you've begun it, you have enough work ahead of you teasing out its story without constantly flipping back to the almost irrelevant poem, and in fact, despite my suggestion of reviewing it in chunks, you might not reread the poem at all during the commentary. I'm sure many admirers of the book do not.]
Now, within the commentary, Kinbote presents additional notes that would take you out of this order of reading (under the note for Line 1-4, for instance, he says at one point "(see Foreword)" and at another ("See also lines 181-182.") These notes are hypertexted for your convenience, so that you can click on them, jump to their referents, and return to place with the Back key. Those are the only kind of notes it's useful to have in hypertext, and although I think a few -- a very few -- have been missed, in all other cases, what you should want in hypertext is in hypertext.
Remember, this is not like a normal annotation-by-editor, where you might want to see hyperscripts all through the poem and be able to click on one to read the handy little note associated with it (like the meaning of a French phrase or something) and then click right back to the poem and keep going. None of these notes are actually handy or useful for understanding the poem and you would never want your first reading of the poem to be interrupted by any of them. The whole commentary is a madman's interpretation of the poem which has to be appreciated in a second reading. For that purpose, the little excerpts from particular lines that start off each of these crazy comments are all that you need, you won't need or want to go back and re-re-read additional lines of the poem at that point, Kinbote has already told you what he is referring to.
Now, I'm not going to argue that getting around the Kindle edition is as easy as reading a cheap paperback you can dog-ear the pages of, but it's not hard to bookmark and read (easier on some models of Kindle than others, I imagine) and -- more to the point -- it is not true that the editors have made it harder by mis-formatting it. I am glad to have one of my favorite novels on the Kindle, and if you love the book and love your Kindle, don't be afraid to try it.