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Carol Danvers, aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team up and learn to work in concert to save the universe.

Studio: Marvel Studios, Kevin Feige Productions

Genre: Action, Adventure, Science Fiction

Keywords: hero, space travel, sequel, superhero, based on comic, teenage girl, marvel cinematic universe (mcu), space adventure

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It has now become a fruitful trend, not to mention a flavorful journalistic genre, that of criticism of Marvel films . High-caliber directors are regularly asked for their opinion on the comics that have been hitting the box office all over the world for over a decade and equally regularly we get statements that often cause discussion: the latest is Denis Villeneuve , the Canadian director currently in theaters with his version of Dune , of which a second part will also arrive soon.

Interviewed by El Mundo , the filmmaker was quite firm in his complaints about the Marvel Cinematic Universe : " Maybe the problem is that we are faced with too many Marvel films that are nothing more than a copy and paste of others. Perhaps this type of film turned into zombies ." In a subsequent interview with Premiere he explained better: " If we talk about Marvel the fact is that these films are all made in the same mold. Some filmmakers can add some nuances, but they are molded in the same fabric. It doesn't take anything away from these films , but they all follow the same format ."

In short, it is likely that we will not see Villeneuve at the helm of a superhero film very soon , yet his words are causing discussion. It must be said that his speech was part of a broader theme, that of high-budget films (as are his) and the messages they can convey: " Just think of the golden age of Hollywood to see films commercial films that had a distinctive artistic and therefore also political proposition. I have never felt it was a loss or an impediment to have generous budgets ", added the director: " Who said that films with a considerable budget cannot be artistically relevant at the same time? I think for example of Christopher Nolan or Alfonso Cuarón ." So the problem with Marvel films is not that they are mainstream and made for the general public , but that they are not original.

There are those who have pointed out, however, that even Villeneuve's films often do not start from totally original materials : Blade Runner 2049 , released in 2017, was the sequel to Ridley Scott's great cult film and paid tribute to it as well as to the book by Philip K. Dick from whom the story is based; Even before that, Arrival was derived from the story Story of His Life by Ted Chiang, while Dune itself is based on the novel by Frank Herbert and is influenced, although taking everything to opposite extremes, by the previous attempts by Lynch and Jodorowsky. Of course, this director's films are often markedly different from each other , even if it is undeniable that his imprint is always rightly recognisable. It remains to be understood how much the issue of originality and repetitiveness is worth nowadays with respect to the production of works of art (" in the age of their technical reproducibility ", as Walter Benjamin would say), and in particular of films in a era in which we are inundated with revivals, reboots, sequels and so on.

Villeneuve is certainly not the first great author to lash out against Marvel blockbusters. At the end of 2019, the trailblazer was Martin Scorsese , who defined them as " an amusement park " (only to then correct the point and specify that they are " a new art form "). Francis Ford Coppola had followed closely and branded them as "despicable", and similar opinions had been expressed by Ken Loach (" they are consumer products, like hamburgers ") and Fernando Meirelles. It must be said that not everyone agrees with this anti-Marvel front: in a tweet Neill Blomkamp , ​​director of District 9 and Humandroid, called Villeneve a " f * cking idiot " for his most recent statements. Ironically, however, in recent days Chloè Zhao , Oscar-winning director for Nomadland, made it known that she had convinced Marvel to entrust her with the next film Eternals precisely by taking inspiration from Villeneuve's films and his " ability to create worlds ".

The boundaries between high and low , commercial and artistic are probably much more blurred than you think, even when it comes to cinecomics. It is undeniable that the Marvel Cinematic Universe draws its narrative coherence from a very strong and organic control over the development of each film, but it is also true that Marvel Studios themselves have entrusted ambitious projects to young directors with an extremely peculiar attitude, such as Taika Waititi and James Gunn , and they continue to look for unusual filmmakers for the big Hollywood tours, such as Ryan Coogler for Black Panther , Zhao for Eternals, Nia DaCosta for The Marvels and so on. Undoubtedly there will always be someone who won't like Marvel films, even if only for their stratospheric and popular grosses. For the rest, it is welcome that there are those who defend and clash over a certain idea of ​​cinema .

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