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Carol Danvers, aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team up and learn to work in concert to save the universe.

Release: Nov 08, 2023

Studio: Marvel Studios, Kevin Feige Productions

Country: United States of America

Language: English

Genre: Action, Adventure, Science Fiction

Keywords: hero, space travel, sequel, superhero, based on comic, teenage girl, marvel cinematic universe (mcu), space adventure

Duration: 105 minutes

Quality: HD

Popularity: 134.152

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It has now become a fruitful trend, not to mention a flavorful journalistic genre, that of criticism of Marvel films . High-caliber directors are regularly asked for their opinion on the comics that have been hitting the box office all over the world for over a decade and equally regularly we get statements that often cause discussion: the latest is Denis Villeneuve , the Canadian director currently in theaters with his version of Dune , of which a second part will also arrive soon.

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Interviewed by El Mundo , the filmmaker was quite firm in his complaints about the Marvel Cinematic Universe : " Maybe the problem is that we are faced with too many Marvel films that are nothing more than a copy and paste of others. Perhaps this type of film turned into zombies ." In a subsequent interview with Premiere he explained better: " If we talk about Marvel the fact is that these films are all made in the same mold. Some filmmakers can add some nuances, but they are molded in the same fabric. It doesn't take anything away from these films , but they all follow the same format ."

In short, it is likely that we will not see Villeneuve at the helm of a superhero film very soon , yet his words are causing discussion. It must be said that his speech was part of a broader theme, that of high-budget films (as are his) and the messages they can convey: " Just think of the golden age of Hollywood to see films commercial films that had a distinctive artistic and therefore also political proposition. I have never felt it was a loss or an impediment to have generous budgets ", added the director: " Who said that films with a considerable budget cannot be artistically relevant at the same time? I think for example of Christopher Nolan or Alfonso Cuarón ." So the problem with Marvel films is not that they are mainstream and made for the general public , but that they are not original.

There are those who have pointed out, however, that even Villeneuve's films often do not start from totally original materials : Blade Runner 2049 , released in 2017, was the sequel to Ridley Scott's great cult film and paid tribute to it as well as to the book by Philip K. Dick from whom the story is based; Even before that, Arrival was derived from the story Story of His Life by Ted Chiang, while Dune itself is based on the novel by Frank Herbert and is influenced, although taking everything to opposite extremes, by the previous attempts by Lynch and Jodorowsky. Of course, this director's films are often markedly different from each other , even if it is undeniable that his imprint is always rightly recognisable. It remains to be understood how much the issue of originality and repetitiveness is worth nowadays with respect to the production of works of art (" in the age of their technical reproducibility ", as Walter Benjamin would say), and in particular of films in a era in which we are inundated with revivals, reboots, sequels and so on.

Villeneuve is certainly not the first great author to lash out against Marvel blockbusters. At the end of 2019, the trailblazer was Martin Scorsese , who defined them as " an amusement park " (only to then correct the point and specify that they are " a new art form "). Francis Ford Coppola had followed closely and branded them as "despicable", and similar opinions had been expressed by Ken Loach (" they are consumer products, like hamburgers ") and Fernando Meirelles. It must be said that not everyone agrees with this anti-Marvel front: in a tweet Neill Blomkamp , ​​director of District 9 and Humandroid, called Villeneve a " f * cking idiot " for his most recent statements. Ironically, however, in recent days Chloè Zhao , Oscar-winning director for Nomadland, made it known that she had convinced Marvel to entrust her with the next film Eternals precisely by taking inspiration from Villeneuve's films and his " ability to create worlds ".

The boundaries between high and low , commercial and artistic are probably much more blurred than you think, even when it comes to cinecomics. It is undeniable that the Marvel Cinematic Universe draws its narrative coherence from a very strong and organic control over the development of each film, but it is also true that Marvel Studios themselves have entrusted ambitious projects to young directors with an extremely peculiar attitude, such as Taika Waititi and James Gunn , and they continue to look for unusual filmmakers for the big Hollywood tours, such as Ryan Coogler for Black Panther , Zhao for Eternals, Nia DaCosta for The Marvels and so on. Undoubtedly there will always be someone who won't like Marvel films, even if only for their stratospheric and popular grosses. For the rest, it is welcome that there are those who defend and clash over a certain idea of ​​cinema .

❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being deliveEspejo, espejo by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all consideEspejo, espejo “streaming text”.

❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shaEspejo, espejo among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referEspejo, espejo to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case consideEspejo, espejo “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreeGli Idiotits with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years afterGli Idioti dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This arguGli Idiotit has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.

Definition and definition of Film / Film While the players who play a role in the Film are referred to as actors (Gli Idioti) or actresses (woGli Idioti). There is also the term extras that are used as minor characters with few roles in the Film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the Film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action Films. Movies can also be used to deliver certain messages from the Filmmaker. Some industries also use Film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the Film. The Film itself is mostly fictional, though some are based on actual stories or on a true story. There are also docuGli Idiotitaries with original and real images or biographical Films that tell the story of a character. There are many other popular genre Films, from action Films, horror Films, comedy Films, romantic Films, fantasy Films, thriller Films, drama Films, science fiction Films, crime Films, docuGli Idiotitaries and others. This is some information about the definition of Film or Film. The information has been cited from various sources and references. Hope it can be useful.