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Winner of the Pulitzer Prize for Drama From the author of Homeland Elegies, a "sparkling and combustible" play (Bloomberg) about identity in America after September 11.  "Everyone has been told that politics and religion are two subjects that should be off-limits at social gatherings. But watching these characters rip into these forbidden topics, there's no arguing that they make for ear-tickling good theater." --New

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Book ID Asin: 0316324469
Book Title: Disgraced: A Play
Book Author: Ayad Akhtar
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $9.99
Book Format Name: Audiobook
Book Format Price: $0.00
Book Format Name: Paperback
Book Format Price: $14.49
Book Price: $14.49
Book Category: Books, Literature & Fiction, Genre Fiction and unknown
Book Rating: 422 ratings

Disgraced: A Play by Ayad Akhtar Book Review

Name: David Seaman
Rating: 5.0 out of 5 stars
Title: Inevitablesubjectatasurprisinglyhighlevel
Date: Reviewed in the United States on January 17, 2017
Review: Ayad Akhtar is a genius. It's atypical for a writer of novels to write a brilliant play (2012 Pulitzer for drama) that works both on the page and on the stage. "Disgraced" is an intense and powerful study of America. Many will claim that this play is about Islamaphobia, and we'll talk about that, but another, perhaps deeper, element of "Disgraced" is what it means to live with nationalism in a country made entirely of immigrants. We meet the cast-all of whom are privileged "succesful" people whose ancestors come from very underprivileged circumstance. Emily is a WASP whohas been "American" for generations, going back perhaps to the 17th Century. Any trace of the old country was bled from her family many generations ago. Fuerthermore she's a white girl whose mother is a racist, feeling strongly that America is white, European descent and as such Emily has an open mind but there's much she doesn't understand. Her failure to understand creates the catalyst that destroys everyone. Sadly, she'll never understand. She's married to Amir, a man born in America but raised by parents who escaped India after part of it became Pakistan. Amir changed his last name so that he could fit into the high finance law firm in which he's on a partner track. He is no longer Muslim, his American accent is flawless and he wants to keep a safe distance from all things Islam. Last night a waiter saw him as a potential terrorist which upset Emily enough to ask him to pose for her newest painting. He presents himself at Airport Security rather than waiting for racial profiling. He recounts an incident as a child when his mother's hatred for Jews affects him. His nephew, Abe, comes to ask him to speak at the trial for an imam charged as a terrorist. Abe too has changed his name and is "Americanized" though born in the Middle East, by mid play he's changed back. Issac is a Jewish American art dealer who will give Emily her first show and they celebrate over dinner. He's a powerful man in the art world and not by coincidence his black wife will get the partnership at Amir's law firm because Amir's prescence at the imam's trial makes The New York Times. During the meal they revert to their roots and centuries of conflict boil to the surface. The play does look at Islamaphobia as it's inevitable. The Taliban's goal to return to the purity of the Qaran (or Koran) IS a major topic in post Nine-Eleven New York and a carefully unspoken topic in mixed company. But what's most pronouned is how much of our roots we must relinquish in order to be American. The denouement is what happens when too much is relinquished and what occurs rivals anything Edward Albee ever wrote. This is a great read. As with all plays you must design and stage them in your head and that is when we see the purity and truth; that is when the play comes to life and we purchase Akhtar's novel and try to find a production of "Disgraced" playing near-by. Easier done, since this play has been produced in regional theatres all over the United States and England. This script includes an important forward regarding play reading and an interview with the playwright.

Name: Pleased to meet you
Rating: 1.0 out of 5 stars
Title: AfakeAphonyAsham
Date: Reviewed in the United States on September 13, 2020
Review: This is a short play but it would take a lot of time to explain its anti-Black racism, its misogyny - right down to the stage directions - and its absurd classism. When I say this is garbage writing for upper class white liberals, know that I am one. This name-dropping, elite-centered, faux-drama doesn’t have a thought in its head. It’s hard to explain why but the cover means something. It’s ostensibly a picture of the main character. But this model is wearing a cheap, creased cotton suit with a cheap shirt, cheap tie, and cheap shoes. The character in the play name-drops the maker of his shirts and his wife notes they cost $600. All I’m saying is this whole thing reeks of fakeness. What a sham.

Name: Madalyn W.
Rating: 5.0 out of 5 stars
Title: Raisesmanyquestionsaboutreligionandifitdefinesyou
Date: Reviewed in the United States on June 11, 2017
Review: Really makes you think. While the whole play pretty much takes place around dinnertime, it really does move fast. Great diversity. You have a white artist who seems to date men and use their ethnicities as her muse for her paintings, her husband who is an Islamic man who despises his religion and even changed his name to something Indian to hide his heritage, his partner at the law firm who is a black woman, and her husband who is a Jewish art collector who is thinking about picking up one of the first woman's works. And they have a bit of a history. Really raises some questions about religion, and some people might be upset with the ending but it was very thought-provoking. Definitely something I'd like to see on stage. Plus, Ted Mosby plays the Jewish art collector on stage for this play, so it's fun to imagine!

Name: Laurence R. Bachmann
Rating: 5.0 out of 5 stars
Title: UnflinchinglookatlifeasanAmericanMuslim
Date: Reviewed in the United States on February 12, 2021
Review: Ayad Akhtar has the courage to stare down cliched tropes about religious freedom, the American dream and who gets to live that Dream, post 9/11. The knowing dialogue between privileged, liberal Manhattanites is the best since John Guare's "Six Degrees of Separation". It builds to a raw and illusion-shattering ending.

Name: David Velasquez
Rating: 5.0 out of 5 stars
Title: Perhapsthebestplayyouwilleverread
Date: Reviewed in the United States on December 7, 2016
Review: Perhaps the best play you will ever read. Without too many spoilers, there are a lot of post-modern themes incorporated. The story is very fast paced, but still manages to touch on issues of race, socio-economic discrimination and profiling, territorial disputes, the dynamics of a master and slave. I was introduced to it for a class reading, and I am so grateful to have read it.*Note: the author uses (Beat) throughout the play. This is like a stage direction denoting a small pause. Interpret as any dramatic pause in other plays or movies, where the character delivers a line and pauses before continuing.

Name: ♫NewHorizons♫
Rating: 4.0 out of 5 stars
Title: Fourstars
Date: Reviewed in the United States on September 10, 2018
Review: From the interview of Akhtar at the end of the book:"The play begins with a Western consciousness representing a Muslim subject. The play ends with the Muslim subject observing the fruits of that representation.... I do believe personally that the Muslim world has got to fully account for the image the West has of it and move on. To the extent that we continue to try to define ourselves by saying, 'We are *not* what you say about us,' we're still allowing someone else to have the dominant voice in the discourse."

Name: Randa K
Rating: 5.0 out of 5 stars
Title: ThisisthebestplayIvereadinalongtime
Date: Reviewed in the United States on September 2, 2016
Review: No wonder it is a Pulitzer Winner. This is the best play I've read in a long time. I love what the playwright it exploring. It has me thinking about so many things, including what DOES it mean to live in the US as a Muslim post-911; and how do we all identify with ourselves within society. Some of the lines still haunt me. Part of this are heart-wrenching. I recommend this to all my friends, and even have purchased many copies for others.

Name: Wheat
Rating: 5.0 out of 5 stars
Title: Thoughfarfromaperfectplayitsstilloneofthemostexciting
Date: Reviewed in the United States on December 2, 2015
Review: Though far from a perfect play, it's still one of the most exciting blasts of fresh air for the American theatre in years. Avoiding the dead ends of whimsy, meta self referential inside jokes, cuteness, and "magical realism", which is what most young playwrights coming out of the MFA industrial complex are taught, Akhtar has real issues to probe and he gets right to it. BTW, if you have not listened to the interview with him on the American Theatre podcast OFFSCRIPT, head over there right now! A whip smart writer.