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From Handel's renowned biographer, the story of one of the most celebrated compositions of Western classical music, Handel's famous oratorio, Messiah

In the late summer of 1741, George Friderick Handel, composed an oratorio set to words from the King James Bible, rich in tuneful arias and magnificent choruses. Jonathan Keates recounts the history and afterlife of Messiah, one of the best-loved works in the classical repertoire. He relates the composition's first performances and its relationship with spiritual

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Book ID Asin: 1541697359
Book Title: Messiah: The Composition and Afterlife of Handel's Masterpiece
Book Author: Jonathan Keates
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $15.99
Book Format Name: Hardcover
Book Format Price: $18.56
Book Format Name: Paperback
Book Format Price: $8.39
Book Price: $18.56
Book Category: Books, Arts & Photography, Music and unknown
Book Rating: 42 ratings

Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates Book Review

Name: richard k. dieterle, jr.
Rating: 5.0 out of 5 stars
Title: Great Jumping Off Point
Date: Reviewed in the United States 🇺🇸 on February 19, 2018
Review: Already know lots about the Messiah - sung several arias, etc. and with groups. So, this was a good, fast read that added some info about how it had morphed over the centuries in its performance style. Highly recommend it for the non-musician, as it doesn't get bogged down in key setting analysis, etc., which only music afficienados and music students would find interesting. Great first read for someone wanting a jumping off point.

Name: James O. Allen
Rating: 5.0 out of 5 stars
Title: Delightful reading !
Date: Reviewed in the United States 🇺🇸 on August 14, 2018
Review: Much interesting information on MESSIAH! highly recommended for anyone interested in Handel and his MESSIAH.

Name: Kevin Flanagan
Rating: 5.0 out of 5 stars
Title: Five Stars
Date: Reviewed in the United States 🇺🇸 on March 1, 2018
Review: Very clear and vibrant sound.

Name: William G. Ludtke
Rating: 5.0 out of 5 stars
Title: Five Stars
Date: Reviewed in the United States 🇺🇸 on January 25, 2018
Review: Thank you

Name: Yi-Peng
Rating: 4.0 out of 5 stars
Title: A nicely written book-length tribute to Handel's Messiah
Date: Reviewed in the United States 🇺🇸 on September 2, 2018
Review: In recent years, there have been a number of books on the subject of this well-loved Handel oratorio. In fact Amazon lists three other books that examine the oratorio from different angles. This relatively new Keates book is aimed at a wider audience compared to the Burrows monograph in the Cambridge Music Handbooks series. One thing I like about it is that it considers the words and music and offers some profiles of the people who created and took part in the first performance and the repeat performances during Handel's lifetime.

Keates starts his book by introducing readers to Handel in 1741 before shifting his narrative to Dublin, where the oratorio was first presented. As the book progresses, he introduces some of the musicians and singers who took part in the first performance and profiles Handel's collaborator Charles Jennens, who put the libretto together in the first place. The second half is taken up by an analysis of the libretto and the music, a recounting of the revivals during Handel's lifetime, and the reception of the work after Handel's death.

I am fond of Keates's approachable yet erudite writing style. His writing makes audiences feel at ease regardless of their music background. It is less dry than some academic books that have been written on the subject. However, I did feel that Keates could have improved the flow and the focus of the book. I am not doubting his erudition, but I did feel that he spent a bit more time than is necessary offering profiles. It would be easy for readers to be exhausted by the time they reach the really important part about why the oratorio matters. Also, I felt that he could have improved the flow of the book by trimming and re-ordering parts of his content. I felt that he could have shortened the chapters that deal with the oratorio genre and Handel's journey to Ireland. At the same time, I felt he could have brought the Charles Jennens chapter forward,, after the oratorio chapter. Jennens is an important figure in the story of Messiah, and it wouldn't be fair for readers to wait till the fifth chapter to meet him. I think these things might have made the book flow more smoothly for readers.

Despite my concerns, I think this is still a nice little book about the Handel oratorio that general audiences will enjoy. It is erudite, holistic and engaging to general audiences. At the price it is going it would make a nice companion piece to any recording of the oratorio.

Name: Dorothea Shefer-Vanson
Rating: 4.0 out of 5 stars
Title: In-depth analysis of Handel's oratoria
Date: Reviewed in the United States 🇺🇸 on July 19, 2020
Review: Handel composed and performed operas and oratorios based on dramatic events or characters described in the Bible. The texts for these were generally provided by his friend and collaborator, Charles Jennens, and were performed in London and throughout England to general acclaim.

Jennens, who compiled the biblical verses which comprise the text of Messiah, was a devout Christian, and an active devotee of the Anglican church. In fact, it was Jennens who devised the original concept of Messiah, and sent his outline for it to Handel. Messiah was distinguished from previous oratorios by being devoid of a dramatic narrative line. It is divided into three parts, the first one portraying biblical prophecies regarding the coming of a future redeemer, the second the events around the birth and death of Jesus, and the third the message of redemption that is the essence of Christianity.

Parts of the book are fairly technical with regard to the scoring and performances of the oratorio, but on the whole the author provides a clear and erudite account of his subject, which is clearly one for which he feels great affection. The book concludes with Jennens’s outline of the content of Messiah, a bibliography, and a timeline giving the main dates and events in Handel’s life.

Name: A. Vlk
Rating: 4.0 out of 5 stars
Title: Perfect Primer
Date: Reviewed in the United States 🇺🇸 on December 15, 2019
Review: Good purchase if you’re dipping your foot into baroque music. This is not a deeply scholarly book but is instead a brief primer on the very basics of this most revered piece.

It really whetted my appetite to learn more and to find other pieces that were mentioned. Appendices are excellent as is the final chapter wherein the author discusses how “Messiah” has been abused and resurrected.

Name: Kenny Weiner
Rating: 2.0 out of 5 stars
Title: Not great
Date: Reviewed in the United States 🇺🇸 on January 4, 2018
Review: I rally hopes for a fascinating tale about Handel’s masterpiece. Instead I got a poorly constructed and terribly written piece. Then sentences are, at times, indecipherable. And the structure of the story seems to jump from one thought to another. The only way I got through this book was knowing it was short.