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Until I vampiri (The Vampires) in 1956, Italian filmmakers generally eschewed horror in favor of fantasy films and big screen spectacles. In the 1960s, the subjects became as varied as the filmmakers, ranging from the comic strip flavor of The Wild, Wild Planet (1966) to the surrealistic mixture of horror and social commentary of Fellini's "Toby Dammit" segment of Spirits of the Dead (1969). Arranged by English title, each entry includes Italian title, studio, r

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Book ID Asin: 0786419687
Book Title: Italian Horror Films of the 1960s: A Critical Catalog of 62 Chillers
Book Author: Lawrence McCallum
Book Format and Price:
Book Format Name: Hardcover
Book Format Price: $29.99
Book Format Name: Paperback
Book Format Price: $29.95
Book Price: $29.95
Book Category: Books, Reference, Writing, Research & Publishing Guides and unknown
Book Rating: 4 ratings

Italian Horror Films of the 1960s: A Critical Catalog of 62 Chillers by Lawrence McCallum Book Review

Name: Amazon Customer
Rating: 5.0 out of 5 stars
Title: Favorite gift of the day!
Date: Reviewed in the United States on January 13, 2017
Review: My son is a die hard vintage Italian Horror Films buff. He loves to read as well so this was the best of both worlds.

Name: Dave masAK
Rating: 4.0 out of 5 stars
Title: ITALIAN HORROR FILMS OF THE 1960S
Date: Reviewed in the United States on April 22, 2001
Review: AS AN AFICIONADO OF ITALIAN HORROR, I FEEL THAT MCCALLUM'S BOOK IS ONE HELLUVA EXPERIENCE. HE WRITES SUCCINCTLY AND CLEARLY. HE AVOIDS THE USE OF ESOTERIC TERMINOLOGY THAT CONFUSES PEOPLE AND HELPS NO ONE. TO HELL WITH THE EFFETE SNOBS OF THE MOTION PICTURE INTELLIGENTSIA. DAVE MASAK

Name: Michael W. Draine
Rating: 1.0 out of 5 stars
Title: No Justice for Spagetti Gothics
Date: Reviewed in the United States on March 29, 2000
Review: The florid, extravagantly stylized fantasies wrought by the Italian film industry in the Sixties exert a dreamlike power that transcends the obvious deficits of bad dubbing, curiously deadpan acting, and mystifying plots. Such provocative motifs as the fatal woman, aristocratic decadence, possession, and the sinister double assert such a presence in the country's horror cinema as to practically plead for analysis.
ITALIAN HORROR FILMS OF THE 1960s is a library-and-VCR research job,
offering little more than credit lists, alternate titles, plot descriptions. The author devotes two to nine pages per film, with plot synopsis outweighing criticism by a wide margin.
The text is peppered with inaccuracies and glaring typos, such as the attribution of a 1977 release to Wes Craven's SCREAM. Differences between American and Italian cuts are seldom noted, behind-the-scenes information is negligible, and neither dubbing credits, interviews, nor secondary-source quotes are provided. Despite the fecundity of the subject matter, a definitive English-language study of the Golden Age of the Italian horror film remains to be written.