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“A breakthrough in prose and poetical writing. . . . This book should be on all readers’ and writers’ desks and in their minds.”―Maya Angelou

First published in 1923, Jean Toomer’s Cane is an innovative literary work―part drama, part poetry, part fiction―powerfully evoking black life in the South. Rich in imagery, Toomer’s impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic

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Book ID Asin: 0871402106
Book Title: Cane
Book Author: Jean Toomer,Rudolph P. Byrd,Henry Louis Gates Jr.
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $0.00
Book Format Name: Audiobook
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Book Format Name: Hardcover
Book Format Price: $10.99
Book Format Name: Paperback
Book Format Price: $14.39
Book Format Name: MassMarket Paperback
Book Format Price: $6.71
Book Format Name: AudioCD
Book Format Price: from$9.99
Book Price: $14.39
Book Category: Books, Literature & Fiction, Genre Fiction and unknown
Book Rating: 369 ratings

Cane by Jean Toomer,Rudolph P. Byrd,Henry Louis Gates Jr. Book Review

Name: Glynn Young
Rating: 5.0 out of 5 stars
Title: A modernist classic by a contemporary of Faulkner
Date: Reviewed in the United States 🇺🇸 on June 1, 2021
Review: Jean Toomer (1894-1967) was a writer bundled with a host of seeming contradictions. He was heralded as part of the Harlem Renaissance in the 1920s, but he never wanted to be considered a Black writer, preferring to be called an American writer. He changed his name at least twice; born Nathan Pinchback Toomer, his maternal grandfather called him Eugene after his father (also a Nathan) abandoned the family. When he began his writing career and for 20 years after, he used the name “Jean Toomer,” changing it again to Nathan Jean Toomer.

He wrote movingly of Black people, yet both of his parents were of mixed race. His mother’s family were free before the Civil War; his father was born into slavery but raised by his white grandfather. Toomer married twice, both wives were white. He seems never to have called himself either Black or white, saying that he was simply an American.

He wrote poetry, one work of fiction, and several non-fiction books, but it is his work of fiction for which he’s best known and remembered.

“Cane” was published in 1923 and immediately recognized as a great modernist achievement. It appears to be a collection of several short stories, separated by poems and short sketches. The short stories concern several women – Karintha, Becky, Carma, Fern, Esther, Louisa, Avey, Muriel, and Bona. A long story, entitled “Kabnis,” concludes the work. The settings move from rural and small-town Georgia to Northern cities. Only gradually does the reader come to understand that all of these stories, poems, and sketches are connected. Reading “Cane” is like reading William Faulkner, the modernist author with whom Toomer is often favorably compared. (Faulkner and Toomer were roughly contemporaries.) This is a work about Black women, Black men, the post-Civil War era in the South, and the great migration to the North, which was fully underway when Toomer began writing.

Toomer said he was influenced by Sherwood Anderson’s “Winesburg, Ohio” (also a cycle of short stories) and “The Waste Land” by T.S. Eliot. To read Cane is to experience a full range of emotions – wonder, surprise, understanding, disgust, anger, love, and affection are a few. Through the short stories, poems, and sketches, the author is telling a story about how individual people experienced some of the most tumultuous events in their history. This history is familiar to all of us; how these individuals experienced is not.

Beehive

Within this black hive to-night
There swarm a million bees;
Bees passing in and out the moon,
Bees escaping out the moon,
Bees returning through the moon,
Silver bees intently buzzing,
Silver honey dripping from the swarm of bees.
Earth is a waxen cell of the world comb,
And I, a drone,
Lying on my back,
Lipping honey,
Getting drunk with silver honey,
Wish that I might fly out past the moon
And curl forever in some far-off farmyard flower.

A number of books have been published that provide more information, research, and literary study about Toomer and his work. “The Collected Poems of Jean Toomer” (1988) is the only volume of his poetry. “Invisible Darkness: Jean Toomer and Nella Larson” (1993) is a study of two figures of the Harlem Renaissance. “Jean Toomer: Race, Repression, and Revolution” by Barbara Foley (2104) examines his interest in class struggle. “Jean Toomer: Selected Essays and Criticism” was published in 1996. Numerous editions of “Cane” have been published, including teaching guides and literary criticisms.

“Cane” is almost 100 years old. It’s known among academics, but it deserves to have a wider readership beyond being considered a modernist classic. The stories often startle; they use language that would rarely be used today. But they open a window into a time and how people lived in that time and through that time, how they were shaped and shaped themselves.

Name: Karl Janssen
Rating: 4.0 out of 5 stars
Title: Harlem Renaissance modernism
Date: Reviewed in the United States 🇺🇸 on March 8, 2021
Review: Cane, published in 1923, is a work of fiction by African American author Jean Toomer. (Toomer is a male author, so presumably Jean is pronounced in the French fashion.) This is a modernist work arising out of the Harlem Renaissance cultural movement. Many literary critics consider Cane a novel, but it does not conform to the conventional structure of a novel. It is really a collection of short stories and poetry that all share thematic and stylistic similarities. Each story or poem functions as a vignette depicting a view of African American life in the United States. In terms of formal structure, its closest approximation in mainstream literature would be Sherwood Anderson’s Winesburg, Ohio.

The book is roughly divided into thirds. The first section consists of scenes set in the rural South, frequently in the state of Georgia. The title of the book is derived from the sugar cane that grows on Southern plantations. The stories and poems of the second third of the book take place in urban settings including Washington, DC, and Chicago. The final third of the book is a novella entitled “Kabnis” that returns to the South for a story set in the fictional town of Sempter, Georgia. “Kabnis” is named after its main character, Ralph Kabnis, but surprisingly Toomer overwhelmingly favors female protagonists in the Cane stories. The book often feels like a study in womanhood as much as an exploration of the African American experience.

The Southern portions of the book are more powerful than the urban stories. Toomer combines the gritty reality of the modern South and echoes of slavery’s past with evocative images of the natural environment to create a new type of Southern Gothic atmosphere permeated by a lingering sense of dread. Toomer does for the Black South what William Faulkner did for the White South, but Toomer did it first. Without the added dimensions of the natural and Southern historical imagery, Toomer’s urban scenes are less compelling. The plots tend to be less about race and more about romantic relationships. These love stories aren’t conventional or formulaic by any means, however, but rather complex psychological portraits of sexual power politics. In the city stories, Toomer’s prose tends to be more ostentatiously modern. Like so many modernists of the 1920s, it seems like he wants to be the next James Joyce, which results in a lot of deliberate verbal gymnastics that turn the narrative into a puzzle that must be deciphered before it can be understood or appreciated. While this sort of experimental wordplay gets annoying in the fiction, it is quite at home in the poetry, which is intriguingly evocative throughout the book.

The rural Southern stories don’t suffer as much from the obtuse modernist style, but some of it leaks into “Kabnis,” a story about a Black Northerner transplanted into a small Southern town. Much of the novella is consists of dialogue, much like a play but written in prose form rather than as a dramatic script. “Kabnis” is more effective in its atmosphere and psychological authenticity than in its plot, which meanders to a conclusion that’s open to interpretation.

One’s appreciation of Cane will largely hinge upon the reader’s tolerance for the impressionistic stream-of-consciousness prose stylings of early modernist writers like Joyce or Faulkner. For those willing to decode the plot and all its symbolism, this groundbreaking work yields much insight into the racial reality of early twentieth-century America.

Name: Miran
Rating: 4.0 out of 5 stars
Title: Great!
Date: Reviewed in the United States 🇺🇸 on January 8, 2023
Review: I am absolutely loving this series.Great read and you should definitely read it.

Name: Cris
Rating: 5.0 out of 5 stars
Title: Great price
Date: Reviewed in the United States 🇺🇸 on January 11, 2023
Review: I had to buy this for a class. It was cheaper than the bookstore