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From New York Times bestselling writer BRIAN K.VAUGHAN (Y: THE LAST MAN, EX MACHINA) and critically acclaimed artist FIONA STAPLES (MYSTERY SOCIETY, NORTH 40), SAGA is the sweeping tale of one young family fighting to find their place in the worlds. When two soldiers from opposite sides of a never-ending galactic war fall in love, they risk everything to bring a fragile new life into a dangerous old universe. Fantasy and science fiction are wed like never before in a sexy, subversive drama for adults. This specially priced volume collects the first arc of the smash hit series The Onion A.V. Club calls "the emotional

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Book ID Asin: B015XEABR4
Book Title: Saga Vol. 1
Book Author: Brian K. Vaughan,Fiona Staples
Book Format and Price:
Book Format Name: KindleComixology
Book Format Price: $0.00
Book Format Name: Hardcover
Book Format Price: $20.80
Book Format Name: Paperback
Book Format Price: $9.00
Book Price: $5.04
Book Category: Kindle Store, Kindle eBooks, Comics, Manga & Graphic Novels and unknown
Book Rating: 2,978 ratings

Saga Vol. 1 by Brian K. Vaughan,Fiona Staples Book Review

Name: Alpha Reader
Rating: 5.0 out of 5 stars
Title: I am addicted to this intergalactic love story
Date: Reviewed in the United States 🇺🇸 on November 3, 2012
Review: We meet Marko and Alana the day their daughter is born. In the back of an old body shop, on a star called Cleave, little Hazel is born to parents who were once on opposite sides of an ages old war. Now, with the birth of their hybrid daughter, Marko and Alana's old armies have even more reason to find the new family and end them. . .

Marko is from planet Wreath. He was a prisoner and Alana his guard; she was from planet Landfall. Both of them decided their love was more important than continuing to fight in a war that neither planet can remember the origins of.

But now Hazel has been born, and there is a buzz in the Landfall Capital. Prince Robot IV is being taken out of his peaceful reprieve and sent to hunt down Marko and Alana - making sure to end them before word gets out to either side of their AWOL treachery in the name of enemy `love'. Meanwhile, Wreath's people have hired freelance assassins to kill the dissenting parents, and return with baby Hazel alive. On the case are two of the galaxy's most successful assassins - The Will, along with his trusty Lying Cat. Then there's The Stalk - who never misses her target.

`Saga' Volume One is the first graphic novel instalment in a new intergalactic series, with story by Brian K. Vaughn and art by Fiona Staples.

I am a fan of graphic novels - but I admit, I've been very conservative in my graphic reading habits. I tried to get into the spin-off Buffy' comic series back in 2007, because it was touted as being Season eight and I was still feeling the Buffy' void after the show's end. But I just couldn't get into it - Joss Whedon's particular brand of snark works best for me on TV. So then I limited my reading to graphic adaptations of the book series I already loved - Diana Gabaldon's The Exile' story set in her Outlander' universe. I love the graphic adaptations of Paricia Briggs's Mercy Thompson' and Gail Carriger's Parasol Protectorate' series. I journeyed outside my comfort zone when I read the brilliant children's graphic novel The Deep: Here Be Dragons' with story by Tom Taylor, and art by James Brouwer. So I was well and truly ready to delve even deeper into the graphic novel world, when a blog I frequent by the name of Jezebel wrote up a glowing piece on this new series called Saga'. It sounded dark, smart and complex - but it was mention of a (literal) star-crossed lover's story that really hooked me.

`Saga' is so, so, so good! I was laughing from the first page - and from the first panel glimpse of Marko, I was swooning. The story begins right in the thick of action - with Alana giving birth to Hazel and soldiers from both Wreath and Landfall breaking in to take the family down - because word of enemy's falling in love and starting a family would be one hell of a bad PR campaign for this war of no end.

The series is very clever and makes societal and political commentaries that are reflective and relevant to the modern-day. It's in the things like Landfall royalty, Prince Robot IV, having a television for a head - that, I think, says something about corrupt media's tyrannical hold over society. Then there's the pornographic planet, Sextillion, where hired assassin The Will travels when he's down on his luck hunting the new parents and wants to drown his sorrows in sex. Sextillion is all bright lights, paid flesh and beautiful depravity - but, as The Will soon discovers, it has a sick and seedy underbelly . . . again, this is no doubt commentary on the sexualisation of our own society - and in a particularly horrendous scene, Vaughan will really have you thinking about the slippery slope of carnal consumerism.

I did appreciate how very, very clever `Saga' was - for all that's between the panels, if you will. But what made this graphic novel so brilliant was the story. In particular, I loved our narrator; an older Hazel is recounting the story of her parent's love and her birth from somewhere in the future. She peppers her reminiscence with references to life now. At one point she muses; "From my very first day, I was pursued by men. All of them tried to hurt me, but only one managed to break my heart . . . Sorry, getting ahead of myself." I loved that Hazel had a voice in this novel, it means that though she's an adorable (but silent) baby when this story starts, we do get a sense of her personality through her omniscient narration - more than that, her hints about what the future holds makes me very, very hopeful for a long, epic series in which we eventually catch up in the story to follow an older Hazel.

`Saga' is very much an adult graphic novel (if the mention of Sextillion wasn't enough of a tip-off). There are graphic sex scenes, and violent deaths. It's also scary as all get out . . . when I turned the page and saw an image of spider-like assassin The Stalk I felt my palms begin to sweat. It's really a testament to Fiona Staple's utterly beautiful, detailed and sometimes creepy artwork. She's amazing - and I think I will have to trawl through her backlist and read absolutely everything she's put her artistic licence to.

The fact that `Saga' is so adult is also why I liked it so much - it's complex and far-reaching, set on an epic scale and concerning AWOL lovers, broken-hearted assassins and royal soldiers with post-traumatic stress disorder. This is really a series to sink your teeth into.

I will also say that Saga' has a very cinematic quality to it. I have high-hopes that because Brian K. Vaughan has a Hollywood history (he was a writer/producer on TV show Lost') that there is every chance this brilliant series could be adapted . . . I'm especially elated to discover that Vaughan wrote for the Buffy season 8 comic series, because while reading Saga' I kept thinking that it had a Joss Whedon quality to it - with hints of Firefly'. It's in Alana's snarky comments, a tangled back-story between The Will and The Stalk and a clear long-reaching story arc.

I love, love, loved `Saga'. I'm now officially addicted. Issue number seven has recently come out, with instalment eight due later in November. I need it - seriously! It has become a delicious drug, delving into this intergalactic love story and I just can't wait to go back. . .

Name: Dannan Tavona
Rating: 4.0 out of 5 stars
Title: Reminds me of Lexx
Date: Reviewed in the United States 🇺🇸 on July 20, 2022
Review: Fantasy interstellar war aliens undead comic adult situations
Alanna and Marko, each from two sides of an in stellar war. Each side can't destroy the world of their enemy without destroying their own, so their twisted governments fight proxy wars on other planets, and have done so for centuries or more. A good chance both races were once one people because our couple not only fall in love, they have a child together. Their governments find out and both sides want the couple dead, but want the baby alive for nefarious reasons. Weird, like the TV show Lexx. Writing is good, but sort of twisted. Artwork is well done. Just not my cup of tea. One bounty hunter, to his credit, objected to a six year old girl being offered for sexual sale, but he was unable to get her out of it, so the universe these people run around in, this is legal in some places -- if you have the money. Others might enjoy the series.

Name: Kindle Customer
Rating: 4.0 out of 5 stars
Title: Saga Vol 1 review
Date: Reviewed in the United States 🇺🇸 on July 21, 2022
Review: As I’ve said before, I’m not really a fan of graphic novels but read this as a prompt for a readathon I’m a part of and I enjoyed it. Loved the art style and the bad language, I may even read the next one. If you haven’t already, check it out.

Name: Colten
Rating: 5.0 out of 5 stars
Title: Excellent
Date: Reviewed in the United States 🇺🇸 on August 4, 2022
Review: Beautiful art, beautifully weird story. Rereading to catch up to the new issues. Even better than I remember. I recommend.

Name: Brad Barnes
Rating: 5.0 out of 5 stars
Title: SAGA is Space Opera done right!
Date: Reviewed in the United States 🇺🇸 on August 7, 2018
Review: SAGA by Brian K Vaughan and Fiona Staples is a rare achievement in comic books for several reasons! Crucially, Vaughan and Staples have mastery of the medium, so they weave their tapestry with unforced world-building expertise. Volume One is told in six chapters. In Chapter One, our narrator Hazel is arriving in a rented-out mechanic's garage, "I was born on a planet called CLEAVE, an ancient ball of mud circling a faded old star." This female voice puts SAGA in the literary tradition of TO KILL A MOCKINGBIRD, but also the science-fiction category of A WRINKLE IN TIME. Getting out of that garage takes a bit of doing, but we manage to make it to Chapter Two, "Actually, against all odds, I'd been alive three whole days." Hazel's parents Marko and Alana are being pursued as deserters from an interplanetary war and are under constant threat from governments, vigilantes and a hostile environment. Hazel observes in Chapter Three, "My mom once said the hardest part of parenting is knowing when to ask for help." SAGA builds its worlds very carefully but is brilliant in reminding us that our protagonists are people first and vulnerable to the same distractions as any of us are. In Chapter Four, "With the help of our new sitter (Izabel, a ghost cut in twain with her intestines hanging out), my parents and I had traveled halfway across the planet Cleave in search of a miracle." Under threat of death with an infant in tow, SAGA becomes a chase story across the stars, and it still rings true. In Chapter Five, after Marko's berserker rage has felled a squadron, Alana fires a warning shot and tells him, "Dear. That's enough." Marko is a street fighting man, but Alana; even with Hazel on her hip; is also a trained fighter and not to be ignored. SAGA is populated with admirable female characters, a quality precious few comic books can claim. In Chapter Six, "Once upon a time, each of us was somebody's kid." Izabel has brought our little family to a an abandoned rocket ship saying, "It's not an earthquake, it's ignition!" Hazel realizes, "Most of my childhood was spent clinging to the feathers of a dulled arrow blindly fired across a starless night. It was heaven." Fiona Staples has convinced us that finding a rocket ship in the middle of nowhere and shooting into space is not only possible but inevitable, but Brian K. Vaughan delivers another twist, "And then my grandparents came to live with us." Ouch! Every time SAGA has a scene of operatic violence or takes us to a distant planet, it then returns to mundane matters like changing diapers or how to burp a baby. SAGA blends the fantastic with the mundane, the philosophical with the practical, and it always remembers to go to the second star on the right. Yes, we all need to grow up, SAGA knows that. But SAGA is about the kid in us who gave equal importance to everything even as the adults around us were protecting us and being compromised and wanting to be kids again themselves! SAGA is Space Opera and Kitchen Sink Melodrama and the most humane comic book ever. Behold the miracle given to us by Brian K. Vaughan and Fiona Staples :D