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Elements of Indigenous Style offers Indigenous writers and editors—and everyone creating works about Indigenous Peoples—the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they’re working.

This guide features:

• Twenty-two succinct style principles.
  

• Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous
  

  
  

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  Book ID Asin: 1550597167
  Book Title: Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples
  Book Author: Gregory Younging PhD
  Book Format and Price:
  Book Format Name: Kindle
  Book Format Price: $9.89
  Book Format Name: Paperback
  Book Format Price: $19.95
  Book Price: $19.95
  Book Category: Books, Politics & Social Sciences, Social Sciences and unknown
  Book Rating: 120 ratings
  
  Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples by Gregory Younging PhD Book Review
  
  Name: Kindle Customer
  Rating: 5.0 out of 5 stars
  Title: Extremelyuseful
  Date: Reviewed in the United States on June 23, 2021
  Review: A very useful reference book for anyone referring to Indigenous peoples in written works.
  
  Name: Ben Levy
  Rating: 5.0 out of 5 stars
  Title: Importantguidance
  Date: Reviewed in the United States on March 25, 2021
  Review: Whether you are an indigenous scholar or research of indigenous issues, this text provides helpful guidance to approach the research and writing an appropriate, ethical and meaningful way. I highly recommend it.
  
  Name: Tom Wright
  Rating: 5.0 out of 5 stars
  Title: Comprehensiveguidetosensitivetopic
  Date: Reviewed in the United States on October 31, 2018
  Review: This guide provides a detailed, comprehensive analysis of an extremely complex topic. It is compact and concise; think of it as like Strunk's Elements of Style for Indigenous writing...it won't solve all your problems, but it'll absolutely help you recognize them.
  
  Name: Marta L. Clifford
  Rating: 5.0 out of 5 stars
  Title: Amustread
  Date: Reviewed in the United States on July 3, 2019
  Review: This should be in the Library of everyone writing for and about any Indigenous people anywhere!
  
  Name: Arthur Digbee
  Rating: 4.0 out of 5 stars
  Title: Essentialreferencebutnotthelastword
  Date: Reviewed in the United States on May 12, 2021
  Review: I expected this book to focus solely on questions of writing style, to guide authors on how to write about Indigenous Peoples with sensitivity and respect. The book certainly includes that, but it does much more. As it turns out, the sections that I found most valuable don’t actually address “style” per se, but instead questions of intellectual property. Western systems of recognizing scientific contributions (patents), cultural works (copyright), and identifying marks (brands) do not work well with Indigenous Law. Traditional Knowledge and Oral Traditions often have collective owners, predate Western law, and may include Protocols that prescribe or limit sharing. Younging’s discussion of these issues, including a long “appendix,” his, provide a very helpful introduction to the issues.Younging writes for a Canadian audience, though he also knows US usages well; he rarely refers to practices in Australian or New Zealand. This means that Younging calls the word “Tribe” offensive, though it is the normal term for an Indigenous People in the United States. The term “Aboriginal,” which has specific legal usages in Canada, will strike most people in the United States as bizarre, and it has a contested history (and present) in Australia. Similarly, Younging finds “Native” offensive, while recognizing that people in the United States often use both “Native American” and “Native.” As a result, he provides no guidance for terms such as “Native News Online,” an online journalism site that reflects common use of “Native” as an adjective.Younging knows all this, and he mentions many of these issues, but he doesn’t really engage these differences. What does the varied status of an “offensive” word mean for a global publishing industry in which the English language dominates? Sure, there’s some convergence toward the terms “Indigenous” (adj.) and “Indigenous Peoples,” but languages always innovate. For example, Younging does not consider how outsiders might engage modern in-group references such as “NDN” or “Indianz.”As my comments suggest, and as Younging says at several points, Indigenous style continues to change. Indeed, Appendix D of this book reprints a 2015 essay by the author in which he had to edit his own style of just three years previously. Unfortunately, Younging has passed away at too young an age, so he will not be able to update this guide. Take it seriously but remember that this book’s recommendations are not the last word.