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A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without
doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to
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Book ID Asin: 0195063775
Book Title: The Compleat Conductor
Book Author: Gunther Schuller
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $23.99
Book Format Name: Hardcover
Book Format Price: $4.00
Book Format Name: Paperback
Book Format Price: $10.80-$34.95
Book Price: unknown
Book Category: Books, Arts & Photography, Music and unknown
Book Rating: 30 ratings

The Compleat Conductor by Gunther Schuller Book Review

Name: Andrew H. Swinnerton
Rating: 4.0 out of 5 stars
Title: Four Stars
Date: Reviewed in the United States 🇺🇸 on July 13, 2015
Review: good.

Name: scarecrow
Rating: 3.0 out of 5 stars
Title: useful but an ax is ground for no purpose.
Date: Reviewed in the United States 🇺🇸 on April 4, 2000
Review: Schuller has got an ax to grind here, citing laundry lists of "incorrect" tempi from the pantheon of conductors. Abbado is too fast, Bernstein too slow, Boulez too fast. On and on and on, like he is piling corpses,referring that everyone is wrong, yet he is right. Schuller is arrogant as well, claiming "Brahms never meant that tempo",claiming how stupid conductors have been by not following what the composer had indicated. If we did that, there would be little to listen to of interest within the classical canon. The grand masters knew nothing of performance of their new works, they guessed at tempi many times, it has only been through continuous performance up through today that such a thing as tempi has come to be affix in a somewhat loose way. Schuller knows his orchestration however with a focus upon blending of winds and strings and the problematics, like in the opening of the First Symphony of Brahms.I had wished he would have included a new work, even one of his own would have been fantastic to discuss,i.e. the conducting problems of a new work. Ravel's Daphnis & Chloe is a great example which he utilizes here. That work with string harmonics and virtuoso wind writing in multi-layered textures is again a great example. I suspect the editor perhaps cut out a chapter on Ligeti or Boulez or Babbitt. He should follow-up this book with another strictly devoted to music after 1945.

Name: Frank
Rating: 5.0 out of 5 stars
Title: I am totally overwhelmed by the depth and breadth of ...
Date: Reviewed in the United States 🇺🇸 on August 22, 2017
Review: I am totally overwhelmed by the depth and breadth of this man's intellect and grasp of so many diverse facets of music! I want to learn as much as I can about his life and work...

Name: Lesllie A. Miller
Rating: 5.0 out of 5 stars
Title: The perfect gift of ran aspiring young conductor.
Date: Reviewed in the United States 🇺🇸 on February 17, 2014
Review: This was gratefully received. The young conductor studied with Schuller. He was pleased with the gift and now embarked on his studies.

Name: Richard E Wyman
Rating: 5.0 out of 5 stars
Title: Must read
Date: Reviewed in the United States 🇺🇸 on November 10, 2012
Review: Essential Assignment for any conductor or musician: read the first 100 pages (at least)! Very opinionated, daring, but informed exposé!

Name: J. Cheever Loophole
Rating: 1.0 out of 5 stars
Title: Couldn't the publisher supply an editor?
Date: Reviewed in the United States 🇺🇸 on July 21, 2019
Review: Whatever valid points he makes are blunted by awkward writing, constant repitition, and a "You kids stay off of my lawn!" tone. I found it especially laughable that he recommends "The Maestro Myth" as a supplemental text when it, too is poorly edited and full of errors. I haven't heard anything conducted by Schuller that stood out in a good way. My personal feeling is that he wrote the book just to be rude to better conductors.

Name: Georges Melki
Rating: 5.0 out of 5 stars
Title: The true art of conducting
Date: Reviewed in the United States 🇺🇸 on March 24, 2015
Review: In this unique book, a world renowned conductor and composer tells the whole musical world how to critically examine the great masterpieces of symphonic music. He has put under scrutiny over a hundred recordings of the following works: Beethoven's Fifth and Seventh symphonies, Brahms' First and Fourth, the last movement of Schumann's second symphony, Tchaikovsky's Sixth symphony, Strauss's Till Eulenspiegel and Ravel's Daphnis and Chloe...Examining first the works, then some of their most outstanding recordings, Gunther Schuller gives us an unprecedented study on how these works should be played to come up with what the composers had in mind. Because Schuller believes, quite rightly, that the composer knows better than any conductor what his work is all about: every note, every indication must be scrupulously followed! No conductor, not even Toscanini or Furtwängler, should take liberties with the indications of tempo, phrasing dynamics etc... that the composer has painstakingly put in his score. Now to all those music "critics" who give us their opinions about recordings of great masterpieces I say this: if you don't go through every work the way Schuller has done here, just give up! It's none of your business to tell us which recording we have to choose, because your opinions would be as good as ours...Despite all my admiration to Schuller's work, I have one small reservation: at page 308, he argues against playing the repeat of the exposition of the first movement in Brahms's First Symphony, because of "a certain awkwardness in the way Brahms returns to m.38, an abruptness in the harmonic progression that (he) can't quite analyze." Well, Mr Schuller, you keep saying the composer knows best, so what happened here that made you know better than Brahms?