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Review Let Us Now Praise Famous Men Three Tenant Families by James Agee Walker Evans

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This portrait of poverty-stricken Southern tenant farmers during the Great Depression has become one of the most influential books of the past century.

In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event.
 
Let Us Now Praise Famous Men was published to enormous critic

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Book ID Asin: B00DKNDFXI
Book Title: Let Us Now Praise Famous Men: Three Tenant Families
Book Author: James Agee,Walker Evans
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Book Rating: 319 ratings

Let Us Now Praise Famous Men: Three Tenant Families by James Agee,Walker Evans Book Review

Name: J. Edgar Mihelic, MA, MA, MBA
Rating: 4.0 out of 5 stars
Title: Not What You Expect
Date: Reviewed in the United States on June 18, 2021
Review: There's a line from the preface to this book we're James Agee says but he's going to take his subject matter seriously.

It Is hard to find the cogent words to talk about this book.

It's not a novel, but it is novel.

See if you go look up the reviews you'll find confusion about what it is that Let Us Now Praise Famous Men was supposed to be about. And I have the same confusion. Ultimately I think this book is often lumped in with Grapes of Wrath not because they're stylistically the same or did they really kind of hit on the same subject matter or even though that's more parallel. But what I think Steinbeck has in common with James Agee is that they both took that subject matter seriously. If I could compare this book to anything in literature I think it is those interstitial chapters to Grapes of Wrath that aren’t specifically about the Joad family but that are trying to set the scene.

Because ultimately what this book is more than anything “about” it's not about the sharecroppers it's nominally covering but I would say it's more a close reading of the land of the objects and the clothes and the things that they touch. More than anything it reminds me of that mid century literary criticism before the French broke everything but it's a literary criticism that applies to the physicality of the world. So it's kind of like a precursor to Barthes looking at the semiotics, the laundry detergent or whatever.

So It's a really interesting book but it's impossible to read cover-to-cover because it is like a kind of pastiche of bringing together notes and clipping. You don't get any kind of narrative arc but it's as if you're looking at a world from one inch away. I tried to understand it like that. I think it's a rightfully celebrated text but you have to understand it on its own terms and not try to see it as something else that you wanted to be.

Name: Rev. Ralph
Rating: 5.0 out of 5 stars
Title: and almost as hardly killed as easily wounded: sustaining
Date: Reviewed in the United States on April 8, 2015
Review: The photos by Walker Evans in "Let Us Now Praise Famous Men" are, in my judgment, American classics. They enable the families of three tenant farmers in the deep south of this nation to plead for our understanding. In the midst of America's emerging industrialization in the 1930s and early '40s, the tenant families are left behind. The photos convey that, with an earnestness and sense of hope-in-spite- of-hopelessness that evokes our hope for a country that will hear their plea, and respond. The photos are not illustrative. They accompany the text as a full partner -- indeed as "coequal, mutually independent, and fully collaborative," as James Agee himself puts it in the book's Preface.

The great 19th Century philosopher Arthur Schopenhauer pointed out that our sight is an active, our hearing a passive sense. Walker Evans' photographs call us into an active involvement with three tenant families, engaging us in a deep perception of how life actually was for a large segment of our country. We are challenged "to understand" what Walker Evans is perceiving so well.

James Agee, in the written text itself, makes a unique contribution to American literature. One sentence in Part One: A Country Letter demonstrates that: "All that each person is, and experiences, and shall never experience, in body and in mind, all these things are differing expressions of himself and of one root, and are identical: and not one of these things nor one of these persons is ever quite to be duplicated, nor replaced, nor has it ever quite had precedent: but each is a new and incommunicably tender life, wounded in every breath, and almost as hardly killed as easily wounded: sustaining, for a while, without defense, the enormous assaults of the universe."

Masterful !

Name: Ron P
Rating: 5.0 out of 5 stars
Title: Great old classic
Date: Reviewed in the United States on August 4, 2022
Review: First, the book was in good condition and arrived promptly. Secondly, this is a great old classic both photographers and those interested in first hand accounts of the depression and Edward Albee’s writing will want this in their collection.

Name: Monique Parker
Rating: 3.0 out of 5 stars
Title: If nothing else, certainly brilliant and thought-provoking
Date: Reviewed in the United States on September 15, 2006
Review: Let us Now Praise Famous Men, in all its poetry and prose, reminds me of an epic, like the Hindu Mahabharata or Homer's Iliad and Odyssey. The lyrical narrative reveals just as much, if not more about Agee, than his subjects. His writing style excludes his subjects as readers.

His prose, which tends to be lofty and cerebral, is also beautiful and brilliant. But, I often wondered, who he was
writing for? The New Yorker audience? The distance in his observations often left me feeling cold. I imagine these hardworking sharecroppers exhibiting some joy, some evidence of warmth, of hope. But I had difficulty finding it in Agee's voice.

The length of Agee's sentences and paragraphs were long, each containing an entire scene, and I labored through them, hoping sleep would not steal me from a passage I might not finish. It was as though Agee too, was afraid sleep would come and steal him from his mission, and so kept hacking away at each sentence, adding commas and colons and semi-colons, lingering his thoughts across the page.

Whatever level of consciousness Agee existed, I could not hang with him for any more than a couple of sentences, as I would fall off the page and have to find my way back into the scene. Where was I? You get the picture...

Agee also uses parenthesis and colons, often not giving his parenthesis a mate: (This struck me as rather unusual and often, cold and detached--more like a voyeur. Did he fabricate his own method of communication using punctuation or was this being done elsewhere at the time? I felt left out of his thoughts when he did this, like when two people are communicating via sign language and you can't make out a word they're saying. Was he doing this in a way to urge us to "think," to stretch beyond the ordinary conventions and try something on that is foreign and unfamiliar, like his subjects and their hardship?