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Review A Horse Walks Into a Bar A novel Vintage International by David Grossman Jessica Cohen

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WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE • From the bestselling author of To the End of the Land comes a searing story of loss and survival.

In a dive bar in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, takes the stage for his final show. Over the course of a single evening, Dov’s patter becomes a kind of memoir, taking us back into the terrors of his childhood. And in the dance between comic and audience, a deeper story begins to take shape a

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Book ID Asin: 1101973498
Book Title: A Horse Walks Into a Bar: A novel (Vintage International)
Book Author: David Grossman,Jessica Cohen
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $5.99
Book Format Name: Audiobook
Book Format Price: $0.00
Book Format Name: Hardcover
Book Format Price: $16.90
Book Format Name: Paperback
Book Format Price: $15.95
Book Format Name: AudioCD
Book Format Price: $29.99
Book Price: $15.95
Book Category: Books, Literature & Fiction, World Literature and unknown
Book Rating: 702 ratings

A Horse Walks Into a Bar: A novel (Vintage International) by David Grossman,Jessica Cohen Book Review

Name: GracieAnn
Rating: 1.0 out of 5 stars
Title: Skip the Audible edition but don't skip the book!
Date: Reviewed in the United States on December 19, 2017
Review: The depth, beauty and meaning of this magnificent story was lost on me because of the misguided paring of Joe Barrett as the Audible reader. This story takes place in Israel and is told in the first person by a native Israeli character. Yet Mr. Barrett reads the book with the affect of a wise-cracking Brooklyn thug/funnyman. His mispronunciation of Israeli place names and untranslated Hebrew expressions speaks to the disconnect between a very place-specific tale and a narration that places the story anywhere but Israel. I don't mean to suggest that only an Israeli can convincingly be a reader for this book; however a neutral cadence would have been preferable to Mr. Barrett's distracting caricature of what an Israeli stand up comedian might sound like (imagine listening to The Underground Railroad read in a British accent, or H is for Hawk with a Southern drawl)! I feel my inability to embrace Grossman's narrator is because Joe Barrett's reading added another character to the story, one that confused, rather than enlightened Grossman's writing. So disappointing. I plan to reread the book without the Audible distraction.

Name: Roberta
Rating: 5.0 out of 5 stars
Title: Pitch perfect
Date: Reviewed in the United States on October 30, 2017
Review: Not a fun read but this book assaults and seduces in turn. David Grossman’s Dovelah walks on his hands and on every page I marveled at how the author pulled me into this dreary nightclub in Netanya, Israel. It took me a while to figure out why Netanya and not Jerusalem or Tel Aviv and my best guess is that Netanya is both everywhere and nowhere.
If you read this book imagine who you are in the audience. Are you the Judge or the Dwarf or will you walk out before Dov finishes his act.
This book depressed me, inspired me and for sure made me laugh out loud. There was this parrot..... you’ll have to read the book for the punch line and the humanity in this 194 page tour de force performance.

Name: Jill I. Shtulman
Rating: 5.0 out of 5 stars
Title: Readers merge with audience to view a stunning performance
Date: Reviewed in the United States on July 3, 2017
Review: David Grossman is surely a magician because during the entire time I was reading this novel, I felt under a spell—one from which I haven’t emerged from yet.

Dovelah Greenstein is a stand-up comedian facing an existential crisis and he chooses a one-night engagement for a kind of self-immolation. Reaching out into his distant past, he chooses a childhood neighbor named Avishai Lazar – a district court justice and a grieving widower --to provide feedback about what he sees.

The power of this novel is that the reader—like the audience—is placed in the position of witness, unable to turn away yet increasingly unsettled about the lengths to which Dov is inflicting pain upon himself.

This is a confident author, unafraid to take risks with his character, and these risks reap ample rewards. As the audience clamors for easy laughs, and as more and more make their way to the exit (Dov actually tallies the disgruntled guests on a stage chalkboard), the stakes keep raising for the audience members who remain. Dov, a one-time scrawny kid who learned to use humor as a shield against his abusive father and neighborhood bullies—is a man who is in genuine pain and is seeking a type of self-forgiveness.

As an added reward, David Grossman knows the complex rhythm of stand-up comedy—reading the audience, giving it what it wants, and yet consistently forcing the audience from its collective comfort zone. There is an urgency to this story and the reader begins to feel complicit—wanting to reach out and provide comfort while, at the same time, furtively looks behind for a way out.

I thought this book was mesmerizing and extraordinarily powerful. It certainly deserves the Man Booker prize it earned and it will certainly be in my Top Ten this year.

Name: switterbug/Betsey Van Horn
Rating: 3.0 out of 5 stars
Title: I didn't believe Dov as a stand-up comic
Date: Reviewed in the United States on August 9, 2017
Review: I expected to like this Man Booker Prize winner, being both a literature lover and a Jew. I was disappointed to be a protester in a crowd of praise. It took me a while to decide to post a review, but, after reading Nicole Krauss’s elegantly poised and unique new novel, FOREST DARK, that contained some parallel themes, I felt unsatisfied and turned off by David Grossman’s story.

The framework was clever and easily captured my attention. A stand-up comic, Dov Greenstein, now in his 50s, is at the end of a career that I believe was illustrious in a dive-joint sort of way. The narrative covers one long night, in which Dov has invited a retired judge, Avishai Lazar, that he knew briefly but intensely in his childhood, a man who was a standby witness to a tragic event, and who Dov, for reasons that are gradually revealed over the course of the story, wants as a witness to his unraveling.

The set-up is Dov doing his act for one last time, with another surprise guest that may or may not have been invited (it’s anyone’s guess), an old woman who was a neighbor where Dov grew up bullied and ostracized. Dov’s only outlet and safeguard was to walk on his hands, where others left him alone and he could see the world from an upside down perspective. What the reader reads is Dov nakedly revealing this childhood tragedy for the first time since it occurred, the incident that negatively affected him and pierced his life and shattered his optimism forever.

The problem I had was that I didn’t believe him at all as a stand-up comic. His jokes weren’t funny—they were puerile. If that was meant to be, then how did he earn a reputation or become a star of the dive bar comic joints? He would have been booed off the stage. I was led to believe that, aside from the secret he divulged about a day in camp when everything changed, the rest of the shtick was an obnoxious rant.

Was this supposed to be a Lenny Bruce type of act? Well, even now, Lenny Bruce’s act would probably be obsolete in contemporary performances. Comedy has evolved, but Dov’s routine was basically repugnant and repetitive. I found myself removed from the narrative, as it felt inorganic and pretentious, except for the horrific incident that the act is central to. The stand-up routine felt gimmicky and sticky. However compelling his childhood tale, the framework within which it was told, and required, fell flat.

One could argue that “it was supposed to be that way,” but I don’t believe that it was consistent for the character to have such a reductionist and trivial act. I would have walked out way before some of the audience did. But, the central, harrowing story was disturbing and dreadful. I give 5 stars for the poignancy of that event. My review plunges to 3 stars due to the way it didn't work for me.

Contextually, I couldn’t shore up enough genuine emotion, as the horrifying event from almost half a century ago was “presented” in what I believe was a distracting, untalented way. He, Dov Greenstein, ruined its impact with his juvenile, insufferable act. Perhaps he was meant to be callow, but it didn’t convince me that his stage routine was ever meritorious, and certainly not worthy of the appalling suffering he endured.

In the end, I was too weary to invest; I had already checked out. I do not mean to be disrespectful of a writer who has won such a lofty prize—the Man Booker—and this is my humble opinion, not a statement of fact. I wish I had been on board like so many others, but the story failed to reel me in or compel me to invest in his stage presence or performance. However, I do feel much empathy for the fictional character’s suffering. I don’t want to steer others away from this book, because what is not my cuppa was considered a masterpiece by many critics. I recommend to read it and see for yourself.