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Review Get Tusked The Inside Story of Fleetwood Mac s Most Anticipated Album by Ken Caillat Hernan Rojas

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In this behind-the-scenes look at the making of Fleetwood Mac’s epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time.

Following their massive success, the band continued its infamous soap opera when its musical leader and guitarist, Lindsey Buckingham, threatened to quit if he didn’t get things his way, resulting in clashes not only with his band but especially Caillat, who had been essential to the band’s Grammy-winning sound.

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Book ID Asin: 1493059831
Book Title: Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album
Book Author: Ken Caillat,Hernan Rojas
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $21.02
Book Format Name: Audiobook
Book Format Price: $0.00
Book Format Name: Hardcover
Book Format Price: $29.95
Book Format Name: Paperback
Book Format Price: $14.97
Book Format Name: AudioCD
Book Format Price: $41.99
Book Price: $14.97
Book Category: Books, Arts & Photography, Music and unknown
Book Rating: 98 ratings

Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album by Ken Caillat,Hernan Rojas Book Review

Name: R. M. Ettinger
Rating: 2.0 out of 5 stars
Title: Get it Together
Date: Reviewed in the United States on February 15, 2020
Review: Even after my 3-star review (and I was generous with it), I was hoping 'Get Tusked' would be a better read. It wasn't.

'Tusk' is still in my top 10 albums of all time list. It topped it for decades, but....it still ranks high. As I said in my 'Making Rumours' review, I'm a fan of process and hope Callait learned a lesson from his last venture to change it up here........because with that last book, save a lot of technical jargon we never quite heard how the songs actually came together. We get little of that here as well.

As one other reviewer pointed out - ERRORS, starting in Chapter 1 and just keep going. Many of them are grammatical and spelling, but there are some factual ones: Callait talks about how Studio D started its construction in September '78 and finished the following June, which could not be correct, or the band couldn't have recorded in that studio in '78 and '79. While I'm sure the authors had an editor, a good one would have been appreciated....and needed!

While I totally get this was 40 years ago, both rely - word for word - from YouTube clips of some of the 'making of' documentary they tried to pull off.

But seriously, I know the band jumped from partial song to partial song in the process....doing parts one day and then not for months later. But the authors {almost} never quite put it together on how almost any of the songs actually fell into place. If not for co-author / 'Tusk' engineer, Hernan Rojas' writing about "Sara" and Callait's about the live part of "Tusk", there are no other moments that truly show how the songs were made. Not really.

While clearly not the creator here, I'd have much rather seen a chapter per song, and let readers know how they were formed, even over the months span, as opposed to trying to remember 8 chapters back when the song had a different name and we're left trying to piece it all together. They can write about their anecdotes and attitude in those chapters too, yet everything is just more cohesive.

All I get from the takeaways of the band is that Fleetwood played drug tzar, making people ask for their allotment of coke. Buckingham was kind of an ass, Nicks felt left out and frustrated and the McVies were......well.......there, except for John who seemed to be the only semi-responsible one who didn't have time for any of these antics.

If co-producer, Richard Dashut, had anything to do with this disk, other than be a buffer between Callait and Buckingham, and to ask for coke, Callait doesn't give him much (read: any) for helping record the album.

I get it's Callait's book (for the most part), so I get his need to insert his personal life into it.........but I'm 100% not interested. Nor does what going on in his private life truly seem to affect the record. Had it, I get the inclusion, other than that, it's wasted paper. Rojas, on the other hand, he gets to write about that personal part, as it was mostly with Nicks. It ties in.

So, I've made this mistake twice. Should Callait take on the 'Making of Mirage', I suspect I will sit that one out.

Name: Hiking Reader
Rating: 3.0 out of 5 stars
Title: Very sloppy and disjointed
Date: Reviewed in the United States on January 22, 2020
Review: After the terrific job that Caillat did with his book 'Making Rumours, I had high hopes for this one. But man, oh man, what a sloppy, low-budget effort. There are literally typos and mistakes on every page. It reads like an amateurish high school effort.

Any rock music fan would enjoy the 'Rumours' book. That one is well-written soulful, honest, and cohesive. But this 'Tusk' book is only worth it for diehard Mac fans.

I almost want to give it only 1 star-- just because of the inordinate number of typos and grammatical mistakes. It's insulting to the reader.

Why wasn't this edited? Did anyone proofread it? Did anyone review it?

What a shame. What a missed opportunity.

Name: Jango
Rating: 2.0 out of 5 stars
Title: A Major Disappointment that reveals nothing new about Tusk.
Date: Reviewed in the United States on July 11, 2021
Review: What I expected?
A detailed account of how each song on Tusk was written, arranged and recorded. Insight into what Lindsey Buckingham was trying to with Tusk considering it was the most successful album ever at the time and was released just as Punk Rock was exploding. Punk was a reaction to overly produced and precise rock music.

What you get instead?
The diary’s of two of the engineers that worked on Tusk. Their drug and drinking habits. The women they slept with. Descriptions of their expensive homes and cars. There is a whole chapter on a Halloween part they went to.
Both these engineers seem bitter that they didn’t get producing credits and go to great lengths to make a case that by placing the right microphones in the right place that that is considered producing. Buckingham was the producer with Richard Dashunt. The book barely mentions Dashunt at all.
There are endless stories of smoking pot, doing blow, drinking in the mornings, doing opium, and eating mushrooms. Buckingham in an interview a few years ago explained that their was a false myth at the time that drugs helped you to be more creative. Why the engineers needed to start each day drinking and drugging is never explained.

Other reasons that the engineers hated Buckingham seemed to be that Lindsey was listening to punk. He loved the Clash. Lindsey also was one of the first songwriters and producers to realize that he could make more interesting records at his home studio.
So he came into the studio to begin Tusk trying to undo Rumors. He didn’t need the money anymore. He wanted to create art. He wanted to take a Punk approach to recording. He wanted a lose and energetic record.

In short, he didn’t need engineers any more.

The engineers resented this and are very critical of Lindsey as a producer, songwriter and as a person.

I’m not saying to not buy this book but I am saying wait to buy a used paperback some day.

Music fans looking to find clues to the mystery of Tusk will not find it in this book.

Google interviews with Lindsey instead.

Name: denizen
Rating: 5.0 out of 5 stars
Title: behind the scenes for real music fans
Date: Reviewed in the United States on May 21, 2020
Review: Much like Ken's book on the making of the Rumours record, this is a masterpiece if you want to understand what goes into making a multi-platinum album. The Average Joe doesn't get how much hard work is involved. This stuff isn't like goofing off. Millions of bucks are at stake. It is hard to write great music, and hard to make it sound as good as it does on Tusk. It really is a job, and the cocaine wasn't used to get high, but to keep WORKING. I really hope that Ken writes a book on the creation of the Mirage album, which is a massively underrated piece of work beyond its hit songs. As for Tusk, I have massive respect for the band. As Neil Young said after making Harvest: "It was a great album, really good. So good that it wasn't worth repeating." In other words, you can't the success of something Rumours. The Mac HAD TO go into a different artistic direction. It remains Lindsey and Mick's favorite Mac album because they didn't run a formula into a ground. Rumours is respected and Tusk is respected.